Archive for June, 2009

Woman’s Building Library of 1893 Exposition

June 30th, 2009

The Library Cover Story on the Library History Buff website for July features a postal card showing the Woman's Building of the the World's Colombian Exposition in Chicago in 1893. The Woman's Building included a library which housed 7,000 literary works by women from around the world. A list of the books included in the library is located here. The exposition attracted over twenty-seven million visitors. The Winter issue of Libraries & Culture for 2006 contained six essays related the Woman's Building Library. This special issue was edited by Sarah Wadsworth . The Fair Women by Jeanne Madeline Weimann (Academy Chicago, 1981) provides an extensive overview of the story of Woman's Building. Also at the exposition was a library exhibit developed by the American Library Association. The ALA exhibit was in the Government Building of the exposition. The Chicago History Journal blog contains a post on the Library. The Official Souvenir Postal Card at the top of this entry is on the back of the Grant postal card issue of 1891. These souvenir cards were predecessors of picture postcards. The postal card was mailed to Hamburg Germany in July 1893. The one cent stamp of the Columbian Exposition issue of 1893 has been added to makeup the international postal card rate.

Reference Books of the Month: Art Books

June 30th, 2009

Greg Borman, a current Gleeson Library | Geschke Center intern, wrote this post.

The three titles detailed below represent the kinds of art-related print reference books that the Gleeson library holds. These can be found near the reference desk on the library’s first floor.

Further information about the Gleeson library’s art reference materials, including online databases, can be found at our art reference webpage.

RawVisionThe creators of Raw Vision journal have published Raw Vision Outsider Art Sourcebook. Raw Vision focuses on a genre of art alternately known as “art brut,” “naïve art,” or “visionary art.” Outsider artists typically have no formal art training, and, whether due to socioeconomic status, mental illness, or other factors, are unable or unwilling to participate in the mainstream art world. The Sourcebook features 50 profiles of artists in a section titled “Classic Outsiders.” Biographical information, along with details about each artist’s influences and thematic concerns, is included in each profile, along with a list of institutions that collect their work. Another major element of Raw Vision Outsider Art Sourcebook is its “Visionary Environments” section. This section covers unique creations known as “environments,” which fall somewhere between sculpture and architecture. Sections that provide information about galleries and museums around the world that collect outsider art are also included, as are publications and websites that cover the genre. (Call Number: N 7432.5 .A78 R39 2002)

ContempWomenArtistsContemporary Women Artists
, edited by Laurie Collier Hillstrom and Kevin Hillstrom, includes a preface written by prominent writer and activist Lucy Lippard. In the preface, Lippard notes that an international feminist art movement aided the increase of women participants in the art world during the 1970s. Lippard adds that not all of the artists represented in this resource have identified themselves as feminists, and indeed a number of the artists included were active before the term was in currency. Contemporary Women Artists includes over 350 entries covering 700-plus pages that detail the lives and careers of 20th century artists. There are also over 200 images of the artists and their work. A number of art specialists have contributed succinctly written essays that provide key biographical and career insights. The entries also include basic biographical information such as birth and death dates, education, career highlights, and awards received. Exhibition histories of individuals are also listed, as are public collections that house their works. (Call Number: N 8354 .C66 1999)

PostBiblicalSaintsThe result of extensive research carried out by author Mercedes Rochelle, Post-Biblical Saints Art Index offers the opportunity to search religious artworks by their subjects. The main section of the book features over 200 pages of alphabetically listed saint names accompanied by details about their title, lineage, priestly order, and martyrdom. Under each saint’s name, there is also a listing of artworks that they appear in, with information about where the work is held or reproduced in print. A “Directory” section provides addresses of locations (museums, churches, libraries, etc.) where the works in the index can be found.  Additionally, a smaller “Index of Attributes and Events” section provides access to the subjects covered in the works of art that are listed under the saint names. (Call Number: N 8079.5 .R63 1994)

Of course, there is plenty of art to see in the San Francisco Bay Area, and here are some places to view work that relates to the reference books covered here.

The A440 gallery in downtown San Francisco features work by a number of outsider artists. Click here for more information.

Squeak Carnwath, a prominent Bay Area woman artist who has taught at UC Berkeley, UC Davis, and California College of the Arts, has an exhibit at the Oakland Museum of California that runs through late August.

Finally, the Legion of Honor in San Francisco has in its collection a number of works with religious themes.

Happy 150th William Coolidge Lane

June 30th, 2009
A couple of my recent posts have dealt with the catalogue cards of the Harvard College Library. So it is timely and appropriate to wish a happy 150th birthday to William Coolidge Lane (1859-1931) who was born on June 29, 1859 in Newtonville, Massachusetts. Lane was appointed Assistant Librarian at the Harvard College Library in 1888. He had previously served as Superintendent of the Cataloging Department. In 1893 he left Harvard to become Head Librarian of the Boston Athenaeum. In 1898, at the age of 39, he returned to Harvard as a the head librarian of Harvard College Library, a post he held until 1928. Lane was also elected President of the American Library Association in 1898. When the post of Librarian of Congress became available in 1899 due to the death of John Russell Young, Lane met with President McKinley and reportedly played a significant role in the appointment of Herbert Putnam as Librarian of Congress. In 1910 when Harvard created the position of Director of the University Library, Lane was passed over for this post. Reconnecting to the library card catalog story line, Lane directed a major transition of the University's card catalog. This included the move to standard size catalog cards from the 2 x 5 inch catalog cards which originated at Harvard. The unused stamped envelope above (issue of 1887) was preaddressed to Lane.

new reviews in cyberculture studies (july 2009)

June 28th, 2009
each month, RCCS Reviews pumps out free, full-length reviews of books about contemporary media and culture. books of the month for july 2009 are:


Cheating: Gaining Advantage in Videogames
Author: Mia Consalvo
Publisher: MIT Press, 2007
Review 1: Bryan G. Behrenshausen
Review 2: Tanner Higgin
Review 3: Ray Vichot
Author Response: Mia Consalvo

Digitizing Race: Visual Cultures of the Internet
Author: Lisa Nakamura
Publisher: University of Minnesota Press, 2007
Review 1: Yuya Kiuchi
Review 2: Nicholas Knouf
Review 3: Koen Leurs
Review 4: Andrea L. Volpe
Author Response: Lisa Nakamura

Evocative Objects: Things We Think With
Editor: Sherry Turkle
Publisher: MIT Press, 2007
Review 1: Chris Foster
Review 2: Gloria Gannaway
Review 3: Linda Levitt
Review 4: Albin Wallace

enjoy. there's a bit more where that came from.

Harvard’s Catalogue Cards

June 27th, 2009
I have an interest in catalog cards and card catalog cabinets that is reflected in both the Library History Buff Blog and the Library History Buff website. One of my more recent blog entries on this topic was "Battle of the Catalog Cards." Allen Veaner, the former Director of Libraries at the University of California at Santa Barbara, became aware of my interest in library history and contacted me to see if I would be interested in a collection of "catalogue" cards that he had salvaged from his time as a cataloguer at the Widener Library of Harvard University. I, of course, said yes. The collection was of particular interest to me because of the role that Harvard played in the early adoption of the card catalog by libraries in the United States and by its use of a 2 inch by 3 inch catalog card instead of what became the universal standard 7.5 x 12.5 cm catalog card. Allen's collection consisted of five of the 2 x 3 inch cards, 42 standard size cards, and three order cards used by the Harvard library. Allen was kind enough to provide as essay explaining the collection which I have put on the Library History Buff website here along with scans of some of the cards. The catalog card above is one of the earlier handwritten cards. It is stamped "HCL" for Harvard College Library. Note the hole to the left of the card. The earlier card catalogues used by Harvard were designed by Assistant Librarian Ezra Abbot and the retainer ran through this hole. Harvard was one of the first libraries to employ women. Beginning in May 1862 these women began writing information on catalog cards intended for the public card catalog, the first in the United States. In the first year they produced 35,762 hand written cards for the catalog. Incidentally, Harvard used "catalogue" not "catalog" which is the reason for the variations in spellings in this entry. For a history of the card catalog click here. For more examples of catalog cards and their current uses click here. For information on card catalog cabinets and some current uses click here.